The Paris Review

“Human Life Is Punishment,” and Other Pleasures of Studying Latin

From the Cambridge Latin Course 4th Edition.

The Iowa Writers’ Workshop, where I am currently enrolled, doesn’t require you to do much of anything. Time is largely unstructured here; as long as your writing gets done, you barely have to get out of bed for two years. When I first realized this, I panicked, and then I registered for an undergraduate course in elementary Latin. I don’t even get academic credit for it. I just wanted something in my life, amidst the subjective muck of the creative process, that I could be objectively good at—the occasional dopamine rush of a check mark, an A grade, a scribbled Great job! from an authority figure—and I remembered being good at Latin.

It had been almost two decades since I last looked at a Latin textbook, but I was optimistic that I’d retained a lot. My seventh-grade Latin textbook left a vivid impression on me. It followed the fictionalized adventures,,,,), and to this day, I remember the whole cast of characters: Caecilius, a banker; Metella, his wife; Grumio, their cook; and Cerberus, the dog, who stays by his master’s side to the very end (RIP, little buddy). I’ll never forget the passage in which Melissa, a newly purchased slave girl, is first presented to the household: my translation was “Melissa pleases Caecilius

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