The Atlantic

<i>Better Things</i> Is Almost Perfect Television

The FX comedy-drama by Pamela Adlon is one of the sharpest and most poignant shows in recent memory.
Source: FX

The finale of the first season of Pamela Adlon’s FX dramedy ended with Sam (Adlon) and her daughters driving around in the family minivan, the girls gazing out the window while Duke (Olivia Edward), the youngest, squeezed her mother’s hand. The track playing in the car was Alice Cooper’s “Only Women Bleed,” and all three of Sam’s kids sang along. It was a fitting ending for a debut series that had concerned itself singly with what women and girls go through, filtered through Adlon’s own experiences as a single mother and an actress. Sometimes it was funny (Sam memorably threw a teenage co-star out of her car after he tried to show her his penis, adding as a mom-like

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic4 min read
Hayao Miyazaki’s Anti-war Fantasia
Once, in a windowless conference room, I got into an argument with a minor Japanese-government official about Hayao Miyazaki. This was in 2017, three years after the director had announced his latest retirement from filmmaking. His final project was
The Atlantic8 min readAmerican Government
The Most Consequential Recent First Lady
This article was featured in the One Story to Read Today newsletter. Sign up for it here. The most consequential first lady of modern times was Melania Trump. I know, I know. We are supposed to believe it was Hillary Clinton, with her unbaked cookies
The Atlantic4 min read
KitchenAid Did It Right 87 Years Ago
My KitchenAid stand mixer is older than I am. My dad bought the white-enameled machine 35 years ago, during a brief first marriage. The bits of batter crusted into its cracks could be from the pasta I made yesterday or from the bread he made then. I

Related Books & Audiobooks