Haunted by Ghosts: The Millions Interviews Jesmyn Ward
Jesmyn Ward hadn’t realized it’s been more than half a decade since her National Book Award-winning Salvage the Bones made her a literary star. That’s because she has been extremely busy, both professionally and personally.
Since her Hurricane Katrina-centric novel, the author wrote the raw and emotional Men We Reaped, a memoir about losing five family members and friends to drugs, suicide, and accidents that can only happen to young, poor, black men. She also edited The Fire This Time, an essay and poetry collection about race and identity written by this generation’s brightest talents. She also moved with her husband and children back to DeLisle, Miss., the small, poverty-stricken town where she grew up. She lived there and survived Hurricane Katrina before going to Stanford and the University of Michigan to pursue higher education.
Even though Ward was busy producing non-fiction, readers anxiously awaited her fiction followup to Salvage the Bones. Ward’s third novel, Sing, Unburied, Sing, returns to similar settings and themes as her previous works, but is wholly original. Set in modern Mississippi, the novel follows Jojo, a 13-year-old of mixed race, and his drug addict mother as they drive to pick up his father from state prison. The mix of harsh reality and magical realism create a sense of wonderment that makes readers question what they know about identity.
Ward and I spoke via phone about racial tensions, why history is so important, how hurricanes effect those who survive them, as well as what she hopes readers will remember about her novels.
I wanted to start our conversation with . It came out in 2011 and won the National
