The Paris Review

Annabelle: A Ghost Story

The other day, I went to see a movie. It was two P.M.; I was alone. The theater nearest our apartment is extremely comfortable, with large, fluffy, fully reclining seats and swinging armrests for easy canoodling. Yet the movies on the screen are never romantic. Most are big-budget fare full of CGI and superheroes and emoji. There’s rarely something I’d pay almost twenty dollars to see.

On this day, however, they were showing the latest film about the demonic doll. In fact, this latest is the prequel to the other Annabelle films; it

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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