The Paris Review

Staff Picks: Degradation, Demolition, Disillusion

Brianna McCarthy, Garden of Lost Things. From the cover of Electric Arches.

Eve Ewing is a sociologist of education, so it’s no wonder my favorite poem in her first collection, , observes the small, curious eddies of interaction in an elementary school. In “Requiem for Fifth Period and the Things That Went On Then,” she writes in the style of Greek epic poetry about invisible, individually insignificant moments—about the science teacher, for instance, watching fourth-grader Javonte Stevens telling the gym coach “that Miss Kaizer will be

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review35 min read
An Eye In The Throat
My father answers the phone. He is twenty-three years old, and, as everyone does in the nineties, he picks up the receiver without knowing who is calling. People call all day long, and my parents pick up and say, “Hello?” and then people say, “It’s C
The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol
The Paris Review6 min read
Consecutive Preterite
1.That summer I learned Biblical Hebrewwith Christian women heaving themselvestoward ministry one brick building at a time.We got along well, they and I and our teacher,a religious studies graduate student who spenteight hours a day transmitting the

Related