The Paris Review

From Vienna with Love (and Other Mixed Emotions)

Maybe it’s the wine, two glasses of crisp white Grüner Veltliner, downed on an empty stomach to still the flutters at the start of my stay. I flew into Vienna a day early and am waiting for my wife Claudie to join me. She’s French, and for her Austria is primarily a European neighbor nation steeped, like Paris, in culture and history, its capital a jewel of a city with grand boulevards, resplendent palaces, world-class museums and concert halls, and cozy cafés. Maybe it’s my mood and where I am in life: sixty-four, my parents long gone, and the tingle of time nipping at my heels. Dare I let go and indulge in the city’s abundant delights?

A looming anniversary brings the past too close for comfort. On March 12, 2018, it will be eighty years since the Anschluß, when German soldiers crossed the border unresisted, jubilant masses mobbed Vienna’s sprawling Heldenplatz to welcome the invaders with a native Austrian at their helm, and my parents fled for their lives.

That was then, this is now, I try to tell myself, as if Vienna is just another popular destination and I am just another tourist. 

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I’m here on a fellowship from the Österreichische Gesellschaft für Literatur (the Austrian Society for Literature) to translate an impossibly difficult book by the modernist Austrian master, Robert Musil. My English translation a few years back of another book of his, , is now in its third edition. With my selection and translation of , I helped stoke interest in a forgotten fin-de-siècle Viennese coffeehouse raconteur, Peter Altenberg, whose life-size, plaster facsimile graces a table at the posh Café Central, his former haunt. But truth be

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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