The Atlantic

Understanding the Women of Pedro Almodóvar’s Movies

The Spanish auteur has been accused of making films with misogynistic themes. But too infrequently have critics considered an important factor: the director’s sexuality.
Source: Warner Bros.

In Julieta, the latest from Pedro Almodóvar, the Spanish director has created his most restrained film to date. This, he admits, was by design. In order for him to properly adapt three of Alice Munro’s stories from her 2004 collection Runaway, he had to strip away what had become his recognizable moves. And so, Julieta features no singing, no hard-to-follow plotlines, and, no outrageous characters to offer comic relief. What remains, and what makes it an unmistakably Almodóvarian drama, though, is its commitment to exploring women’s stories—or rather, women’s suffering.

From his breakout screwball comedy (1988) to his late-career melodramas of strong-willed protagonists, Almodóvar’s films find humor and beauty in female hardship. With , he’s centered an entire movie on a woman’s loss: The eponymous character is first unable to move on after her husband dies in a boating accident and later has to cope by herself when her only daughter leaves their shared home unexpectedly. Spanning several decades, the film marries Munro’s keen attention to the quiet lives certain women lead with Almodóvar’s flamboyant style. Moments of still reflection in

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