TIME

Black and white America look to James Baldwin to unpin us all from history

“I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.” —James Baldwin, in Notes of a Native Son

JAMES BALDWIN IS EVERYWHERE. To account for the latest disasters around race in this country—grief over the death of another black person at the hands of police; the fact that we have vomited up the likes of Donald Trump—activists often reach for him. Baldwin circulates. His words inspire on social media; his phrases speak from T-shirts; his face covers a throw pillow on Etsy. But apart from his marketability—that people can use him as an avatar of supposed seriousness—what does Baldwin offer us in this moment? What does he force us, as Americans, to confront?

In Teju Cole’s brilliant new book of essays, Known and Strange Things, he writes of a trip to Selma, Ala. This essay, like much of the book, reveals Cole’s extraordinary talent and his capacious mind. But one immediately gets

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