Stitches in Crime Series

Salvaging from historic buildings isn’t supposed to require reporting a murder.​ When salvage expert and historian Paisley Sutton crawls into an abandoned store with a house attached, she certainly isn’t expecting to find a body on site. But soon, her discovery sends Paisley on an expedition through history that links this murder to the one that led the previous owners to abandon the building in the first place. And someone doesn’t want her to salvage this story from the wreckage. Can Paisley preserve herself and her young son while also uncovering the stories that matter most?

All she wanted from the old farmhouse was the gorgeous mantel, not a dead body. Paisley Sutton always expects the unexpected when she goes into a house to salvage the architectural prizes before its torn down. She evens knows she might encounter a rodent or two. But she really isn’t expecting to find a dead body, not again. And when it turns out the young man she found slumped in the house’s basement was killed, Paisley discovers that it’s not only the house that was abandoned. Will her research trigger the decades-old fears that someone hoped to bury in the rubble?

The promise of old printer’s trays has her heart aflutter, but it nearly stops when she finds a body at the bottom of the elevator shaft. When salvage expert and historian Paisley Sutton heard that a 19th century printing press was still in the old warehouse that was scheduled for demolition, she knew she had to get in there. But when her dreams of a salvage windfall lead her on the genealogical hunt for the owners of the press and their descendants, she uncovers a story that promises to stay with her far longer than the income from her salvage operations. When the story becomes public, will Paisley’s business be safe? Will she?

The truth shall set her free, but not if someone wants her dead first. Business has been good for historian Paisley Sutton, but when she goes into her own church parish house to salvage some of the early 20th century fixtures before the building is demolished, she uncovers far more than vintage cabinets. Once the women from church hear about the secrets Paisley is uncovering, they are bound and determined to reveal the truth and unmask a murderer in the process. Will Paisley and her friends uncover the truth before the cover-up kills them all?