Ordinary Monsters: A Novel

By J. M. Miro

NATIONAL BESTSELLER * "Charles Dickens meets Joss Whedon in Miro’s otherworldly Netflix-binge-like novel." —The Washington Post

MOST ANTICIPATED SFF BOOK of 2022 by Tor, The Nerd Daily, BookBub, Philadelphia Inquirer, Goodreads, CrimeReads, Buzzfeed, Professional Book Nerds, and more!

BEST BOOK OF SUMMER 2022 by SheReads, Book Riot, Goodreads, Gizmodo, Daily Beast, Paste Magazine, and more!

IN THIS STUNNING HISTORICAL FANTASY, journey to the Victorian era, as children with mysterious powers are hunted by a figure of darkness in a battle of good vs. evil...

"Ordinary Monsters is a towering achievement: a dazzling mountain of wild invention, Dickensian eccentrics, supernatural horrors, and gripping suspense. Be warned... once you step into this penny dreadful to end all penny dreadfuls, you'll never want to leave." —Joe Hill, #1 New York Times bestselling author of The Fireman and Heart-Shaped Box

Charlie Ovid, despite surviving a brutal childhood in Mississippi, doesn't have a scar on him. His body heals itself, whether he wants it to or not. Marlowe, a foundling from a railway freight car, shines with a strange bluish light. He can melt or mend flesh. When Alice Quicke, a jaded detective with her own troubled past, is recruited to escort them to safety, all three begin a journey into the nature of difference and belonging, and the shadowy edges of the monstrous.

What follows is a story of wonder and betrayal, from the gaslit streets of London, and the wooden theaters of Meiji-era Tokyo, to an eerie estate outside Edinburgh where other children with gifts—like Komako, a witch-child and twister of dust, and Ribs, a girl who cloaks herself in invisibility—are forced to combat the forces that threaten their safety. There, the world of the dead and the world of the living threaten to collide. With this new found family, Komako, Marlowe, Charlie, Ribs, and the rest of the Talents discover the truth about their abilities. And as secrets within the Institute unfurl, a new question arises: What truly defines a monster?

Riveting in its scope, exquisitely written, Ordinary Monsters presents a catastrophic vision of the Victorian world—and of the gifted, broken children who must save it.

• Language: English
• Publisher: Macmillan Publishers
• Release date: Jun 7, 2022
• ISBN: 9781250833747

J. M. Miro

J. M. Miro is the author of Ordinary Monsters (Flatiron, 2022), the first in the Talents Trilogy. He lives in the Pacific Northwest with his family. He also writes under the name Steven Price.

Book preview

The THING on the COBBLESTONE STAIR

•

1874

1

LOST CHILDREN

The first time Eliza Grey laid eyes on the baby was at dusk in a slow-moving boxcar on a rain-swept stretch of the line three miles west of Bury St Edmunds, in Suffolk, England. She was sixteen years old, unlettered, unworldly, with eyes dark as the rain, hungry because she had not eaten since the night before last, coatless and hatless because she had fled in the dark without thinking where she could run to or what she might do next. Her throat still bore the marks of her employer’s thumbs, her ribs the bruises from his boots. In her belly grew his baby, though she did not know it yet. She had left him for dead in his nightshirt with a hairpin standing out of his eye.

She’d been running ever since. When she came stumbling out of the trees and glimpsed across the darkening field the freight train’s approach she didn’t think she could make it. But then somehow she was clambering the fence, somehow she was wading through the watery field, the freezing rain cutting sidelong into her, and then the greasy mud of the embankment was heavy and smearing her skirts as she fell, and slid back, and frantically clawed her way forward again.

That was when she heard the dogs. She saw the riders appear out of the trees, figures of darkness, one after another after another, single file behind the fence line, the black dogs loose and barking and hurtling out ahead. She saw the men kick their horses into a gallop, and when she grabbed the handle of the boxcar and with the last of her strength swung herself up, and in, she heard the report of a rifle, and something sparked stinging past her face, and she turned and saw the rider with the top hat, the dead man’s terrifying father. He was standing in his stirrups and lifting the rifle again to take aim and she rolled desperately in the straw away from the door and lay panting in the gloom as the train gathered speed.

She must have slept. When she came to, her hair lay plastered along her neck, the floor of the boxcar rattled and thrumped under her, rain was blowing in through the open siding. She could just make out the walls of lashed crates, stamped with Greene King labels, and a wooden pallet overturned in the straw.

There was something else, some kind of light left burning just out of sight, faint, the stark blue of sheet lightning, but when she crawled over she saw it was not a light at all. It was a baby, a little baby boy, glowing in the straw.

All her life she would remember that moment. How the baby’s face flickered, a translucent blue, as if a lantern burned in its skin. The map of veins in its cheeks and arms and throat.

She crawled closer.

Next to the baby lay its black-haired mother, dead.

---

What governs a life, if not chance?

Eliza watched the glow in the little creature’s skin slowly seep away, vanish. In that moment what she had been and what she would become stretched out before her and behind her in a single long continuous line. She crouched on her hands and knees in the straw, swaying with the boxcar, feeling her heart slow, and she might almost have thought she had dreamed it, that blue shining, might almost have thought the afterglow in her eyelids was just tiredness and fear and the ache of a fugitive life opening out in front of her. Almost.

Oh, what are you, little one? she murmured. Where did you come from?

She was herself not special, not clever. She was small like a bird, with a narrow pinched face and too-big eyes and hair as brown and coarse as dry grass. She knew she didn’t matter, had been told it since she was a little girl. If her soul belonged to Jesus in the next world, in this one her flesh belonged to any who would feed it, clothe it, shelter it. That was just the world as it was. But as the cold rain clattered and rushed past the open railway siding, and she held the baby close, exhaustion opening in front of her like a door into the dark, she was surprised by what she felt, how sudden it was, how uncomplicated and fierce. It felt like anger and was defiant like anger, but it was not anger. She had never in her life held anything so helpless and so unready for the world. She started to cry. She was crying for the baby and crying for herself and for what she could not undo, and after a time, when she was all cried out, she just held the baby and stared out at the rain.

Eliza Mackenzie Grey. That was her name, she whispered to the baby, over and over, as if it were a secret. She did not add: Mackenzie because of my father, a good man taken by the Lord too soon. She did not say: Grey because of who my mama married after, a man big as my da, handsome like the devil with a fiddle, who talked sweet in a way Mama thought she liked but who wasn’t the same as his words. That man’s charm had faded into drink only weeks after the wedding night until bottles rolled underfoot in their miserable tenement up north in Leicester and he’d taken to handling Eliza roughly in the mornings in a way she, still just a girl, did not understand, and which hurt her and made her feel ashamed. When she was sold out as a domestic at the age of thirteen, it was her mother who did the selling, her mother who sent her to the agency, dry-eyed, white-lipped like death, anything to get her away from that man.

And now this other man—her employer, scion of a sugar family, with his fine waistcoats and his pocket watches and his manicured whiskers, who had called her to his study and asked her name, though she had worked at the house two years already by then, and who knocked softly at her room two nights ago holding a candle in its dish, closing the door behind him before she could get out of bed, before she could even ask what was the matter—now he lay dead, miles away, on the floor of her room in a mess of black blood.

Dead by her own hand.

In the east the sky began to pale. When the baby started to cry from hunger, Eliza took out the only food she had, a crust of bread in a handkerchief, and she chewed a tiny piece to mush and then passed it to the baby. It sucked at it hungrily, eyes wide and watching hers the while. Its skin was so pale, she could see the blue veins underneath. Then she crawled over and took from the dead mother’s petticoat a small bundle of pound notes and a little purse of coins and laboriously she unsleeved and rolled the mother from her outerwear. A leather cord lay at her throat, with two heavy black keys on it. Those Eliza did not bother with. The mauve skirts were long and she had to fold up the waist for the fit and she mumbled a prayer for the dead when she was done. The dead woman was soft, full-figured, everything Eliza was not, with thick black hair, but there were scars over her breasts and ribs, grooved and bubbled, not like burns and not like a pox, more like the flesh had melted and frozen like that, and Eliza didn’t like to imagine what had caused them.

The new clothes were softer than her own had been, finer. In the early light, when the freight engine slowed at the little crossings, she jumped off with the baby in her arms and walked back up the tracks to the first platform she came to. That was a village called Marlowe, and because it was as good a name as any, she named the baby Marlowe too, and in the only lodging house next to the old roadhouse she paid for a room, and lay herself down in the clean sheets without even taking off her boots, the baby a warm softness on her chest, and together they slept and slept.

In the morning she bought a third-class ticket to Cambridge, and from there she and the baby continued south, into King’s Cross, into the smoke of darkest London.

---

The money she had stolen did not last. In Rotherhithe she gave out a story that her young husband had perished in a carting accident and that she was seeking employment. On Church Street she found work and lodging in a waterman’s pub alongside its owner and his wife, and was happy for a time. She did not mind the hard work, the scrubbing of the floors, the stacking of jars, the weighing and sifting of flour and sugar from the barrels. She even found she had a good head for sums. And on Sundays she would take the baby all the way across Bermondsey to Battersea Park, to the long grass there, the Thames just visible through the haze, and together they would splash barefoot in the puddles and throw rocks at the geese while the wandering poor flickered like candlelight on the paths. She was almost showing by then and worried all the time, for she knew she was pregnant with her old employer’s child, but then one morning, crouched over the chamber pot, a fierce cramping took hold in her and something red and slick came out and, however much it hurt her, that was the end of that.

Then one murky night in June a woman stopped her in the street. The reek of the Thames was thick in the air. Eliza was working as a washergirl in Wapping by then, making barely enough to eat, she and the baby sleeping under a viaduct. Her shawl was ragged, her thin-boned hands blotched and red with sores. The woman who stopped her was huge, almost a giantess, with the shoulders of a wrestler and thick silver hair worn in a braid down her back and eyes as small and black as the polished buttons on a good pair of boots. Her name, she said, was Brynt. She spoke with a broad, flat American accent. She said she knew she was a sight but Eliza and the baby should not be alarmed for who among them did not have some difference, hidden though it might be, and was that not the wonder of God’s hand in the world? She had worked sideshows for years, she knew the effect she could have on a person, but she followed the good Reverend Walker now at the Turk’s Head Theatre and forgive her for being forward but had Eliza yet been saved?

And when Eliza did not reply, only stared up unspeaking, that huge woman, Brynt, folded back the cowl to see the baby’s face, and Eliza felt a sudden dread, as if Marlowe might not be himself, might not be quite right, and she pulled him away. But it was just the baby, smiling sleepily up. That was when Eliza spied the tattoos covering the big woman’s hands, vanishing up into her sleeves, like a sailor just in from the East Indies. Creatures entwined, monstrous faces. There was ink on the woman’s throat too, as if her whole body might be colored.

Don’t be afraid, said Brynt.

But Eliza was not frightened; she just had not seen the like before.

Brynt led her through the fog down an alley and across a dripping court to a ramshackle theater leaning out over the muddy river. Inside, all was smoky, dim. The room was scarcely bigger than a railway carriage. She saw the good Reverend Walker in shirtsleeves and waistcoat stalking the little stage, candlelight playing on his face, as he called to a crowd of sailors and streetwalkers about the apocalypse to come, and when the preaching was done he began to peddle his elixirs and unguents and ointments. Later Eliza and the baby were taken to where he sat behind a curtain, toweling his forehead and throat, a thin man, in truth little bigger than a boy. His hair was gray, his eyes were ancient and afire. His soft fingers trembled as he unscrewed the lid of his laudanum.

There’s but the one Book of Christ, he said softly. He raised a bleary bloodshot stare. But there’s as many kinds of Christian as there is folk who did ever walk this earth.

He made a fist and then he opened his fingers wide.

The many out of the one, he whispered.

The many out of the one, Brynt repeated, like a prayer. These two got nowhere to stay, Reverend.

The reverend grunted, his eyes glazing over. It was as if he were alone, as if he had forgotten Eliza entirely. His lips were moving silently.

Brynt steered her away by the elbow. He’s just tired now, is all, she said. But he likes you, honey. You and the baby both. You want someplace to sleep?

They stayed. At first just for the night, and then through the day, and then until the next week. She liked the way Brynt was with the baby, and it was only Brynt and the reverend after all, Brynt handling the labor, the reverend mixing his elixirs in the creaking old theater, arguing with God through a closed door, as Brynt would say. Eliza had thought Brynt and the reverend lovers but soon she understood the reverend had no interest in women and when she saw this she felt at once a great relief. She handled the washing and the hauling and even some of the cooking, though Brynt made a face each night at the smell of the pot, and Eliza also swept out the hall and helped trim the stage candles and rebuilt the benches daily out of boards and bricks.

It was in October when two figures pushed their way into the theater, sweeping the rain from their chesterfields. The taller of the two ran a hand down his dripping beard, his eyes hidden under the brim of his hat. But she knew him all the same. It was the man who had hunted her with dogs, back in Suffolk. Her dead employer’s father.

She shrank at the curtain, willing herself to disappear. But she could not take her eyes from him, though she had imagined this moment, dreamed it so many times, woken in a sweat night after night. She watched, unable to move, as he walked the perimeter of the crowd, studying the faces, and it was like she was just waiting for him to find her. But he did not look her way. He met his companion again at the back of the theater and unbuttoned his chesterfield and withdrew a gold pocket watch on a chain as if he might be late for some appointment and then the two of them pushed their way back out into the murk of Wapping and Eliza, untouched, breathed again.

Who were they, child? Brynt asked later, in her low rumbling voice, the lamplight playing across her tattooed knuckles. What did they do to you?

But she could not say, could not tell her it was she who had done to them, could only clutch the baby close and shiver. She knew it was no coincidence, knew in that moment that he hunted her still, would hunt her for always. And all the good feeling she had felt, here, with the reverend and with Brynt, was gone. She could not stay, not with them. It would not be right.

But she didn’t leave, not at once. And then one gray morning, carrying the washing pail across Runyan’s Court, she was met by Brynt, who took from her big skirts a folded paper and handed it across. There was a drunk sleeping in the muck. Washing strung up on a line. Eliza opened the paper and saw her own likeness staring out.

It had come from an advertisement in a broadsheet. Notice of reward, for the apprehension of a murderess.

Eliza, who could not read, said only, Is it me name on it?

Oh, honey, said Brynt softly.

And Eliza told her then, told her everything, right there in that gloomy court. It came out halting at first and then in a terrible rush and she found as she spoke that it was a relief, she had not realized how hard it had been, keeping it secret. She told of the man in his nightshirt, the candle fire in his eyes, the hunger there, and the way it hurt and kept on hurting until he was finished, and how his hands had smelled of lotion and she had fumbled in pain for her dresser and felt … something, a sharpness under her fingers, and hit him with it, and only saw what she had done after she had pushed him off her. She told about the boxcar too and the lantern that was not a lantern and how the baby had looked at her that first night, and she even told about taking the banknotes from the dead mother, and the fine clothes off her stiffening body. And when she was done, she watched Brynt blow out her cheeks and sit heavily on an overturned pail with her big knees high and her belly rolling forward and her eyes crushed shut.

Brynt? she said, all at once afraid. Is it a very large reward, what they’s offering?

At that Brynt lifted her tattooed hands and stared from one to the other as if to descry some riddle there. I could see it in you, she said quietly, the very first day I saw you there, on the street. I could see there was a something.

Is it a very large reward, Brynt? she said again.

Brynt nodded.

What do you aim to do? Will you tell the reverend?

Brynt looked up. She shook her huge head slowly. This world’s a big place, honey. There are some who think you run far enough, you can outrun anything. Even your mistakes.

Is—is that what you think?

Aw, I been running eighteen years now. You can’t outrun your own self.

Eliza wiped at her eyes, ran the back of her wrist over her nose. I didn’t mean to do it, she whispered.

Brynt nodded at the paper in Eliza’s hand. She started to go, and then she stopped.

Sometimes the bastards just plain deserve it, she said fiercely.

---

Meanwhile Marlowe, black-haired, coltish, grew. His skin stayed eerily white, a stark unhealthy pallor, as if he’d never known sunlight. Yet he grew into a sweet toddler, with a smile that could open a purse and eyes as blue as a Suffolk sky. But there was something else in him sometimes, a temper, and as he got older Eliza would sometimes see him screw his face up into a fury and stamp his foot when he did not get his way, and she’d wonder what sort of a devil was in him. At such times he’d scream and holler and grab whatever was nearest, a fig of coal, an inkwell, anything, and smash it to pieces. Brynt tried to tell her that this was the normal way of a child, that two-year-olds all went through it, there was nothing the matter with him, but Eliza was not so sure.

For there was that one night in St Georges Street, when he wanted something—what was it, a stick of licorice in a shop-front window?—and Eliza, tired maybe, or just distracted, had told him no, firmly, and dragged him by the hand away through the crowds. There was a wide cobblestone stair leading down to Bolt Alley and she dragged him to it. I want it! I want it! he was crying. He’d scowled at her with such darkness and poison then. And she’d felt a heat bloom in her palm and fingers where she gripped his, and she’d stopped in the middle of the cobbled stair in the faint yellow of a gas lamp above, and seen that same blue shine coming out of him, and a most excruciating pain came over her hand. Marlowe was glaring at her in anger, fuming, watching her face twist in agony. And she’d screamed and pushed him away, and there in the shadows was a figure in a cloak, at the bottom of the cobblestone stair, and it turned and stared up at them, as still and unmoving as a pillar of darkness, but it had no face, only smoke, and she’d shuddered to see it—

But then Marlowe’s anger was gone, the blue shine was gone. He was peering up at her where he had fallen in the muck, peering up in confusion, and fear contorted his little pale face, and he started to cry. She cradled her hand against her chest and wrapped it in her shawl and drew the child close with her good arm, crooning softly, feeling both ashamed and afraid, and she looked around but the thing on the stairs below was gone.

---

Then Marlowe was six and they had lost the theater in Wapping to the rents and were all living in a miserable room off Flower and Dean Street, in Spitalfields, but it seemed to her that maybe Brynt had been wrong, maybe it was possible to outrun your mistakes after all. It had been two years since the advertisements in the broadsheets had stopped appearing. From Spitalfields Eliza trudged all the way down to the Thames to mudlark in the thick deep gluey muck of the river at low tide, Brynt being too heavy to manage it, Marlowe still far too young. But he would run alongside the coal wagons in the foggy streets, picking up the little rocks of coal from the cobblestones, sliding under the legs of the horses and dodging the ironshod wheels, while Brynt stood behind the bollards watching him with worried eyes. Eliza liked very little about Spitalfields, it was dark and vicious, but she did like the way Marlowe survived it, the toughness in him, the way he learned watchfulness, his large eyes dark with knowing. And sometimes at night he still climbed onto the bug-riddled mattress beside her and she listened to his heart beating very fast and it was like it had been before, when he was a baby, uncomplicated and sweet and good.

But not always. In the spring of that year she had come upon him crouched in a trash-strewn alley off Thrawl Street, holding his left wrist in his right hand, and that shine started out from his hands and his throat and his face, just as had happened all those years ago. The glow was blue and bleeding through the fog. When he took his hand away, his skin for just a moment was bubbling and oozing. Then it smoothed itself back to normal. Eliza cried out, despite herself, she couldn’t help it, and Marlowe turned guiltily and pulled his sleeve down and like that the shine was gone.

Mama…? he said.

They were alone in that alley but she could hear the silk wagons creaking not ten paces from them in the fog-thick street beyond and the roar and shouting of men at their selling carts.

Oh my heart, she murmured. She kneeled beside him, uncertain what more to say. She did not think he would remember that day when he’d burned her hand. Whether he knew what he did or not, she could not be sure, but she knew it was not a good thing in this world to be different. She tried to explain this to him. She said every person has two destinies granted them by God and that it is a person’s task in this life to choose the one or the other. She looked into his little face and saw his cheeks white in the cold and his black hair long over his ears and she felt an overwhelming sadness.

You always have a choice, Marlowe, she said. Do you understand me?

He nodded. But she did not think he understood at all.

When he spoke, his voice was little more than a whisper. Is it bad, Mama? he asked.

Oh, honey. No.

He thought for a moment. Because it’s from God?

She chewed her lip. Nodded.

Mama?

Yes?

What if I don’t want to be different?

She told him he must never be afraid of who he was but that he must hide it, this blue shining, whatever it was. Even from the reverend? Yes. Even from Brynt? Even from Brynt. She said its purpose would make itself known to him in time but until such day there were those who would put it to their own ends. And many others who would fear it.

That was the year the reverend started coughing up blood. A leech in Whitechapel said a dryer clime might aid him but Brynt just ducked her head, storming out into the fog. The reverend had come out of the American deserts as a boy, she explained later, angrily, and all he wanted now was to go back to the deserts to die. As they drifted slowly through the gaslit nights, his face looked grayer, his eyes more and more yellow, until he stopped even the pretense of mixing his elixirs and just sold straight whiskey, telling any who would listen that it had been blessed by a holy man in the Black Hills of Agrapur, though Eliza did not think his customers cared, and even this lie he told wearily, unconvincingly, like a man who no longer believed in his truth or their truth or any truth at all.

The reverend collapsed in the rain one night, while weaving sickly on a crate, hollering to the passersby on Wentworth Road for the salvation of their souls, and Brynt carried him in her arms back to the rookery. The rain came in through the roof in several places and the wallpaper was long since peeled away and mold grew in a fur around the window. It was in that room on the seventh day of his raving that Eliza and Marlowe heard a soft knock at their door and she rose and opened it, thinking it might be Brynt, and she saw instead a strange man standing there.

A corona of gray light from the landing beyond haloed his beard and the edges of his hat so that his eyes were lost to shadow when he spoke.

Miss Eliza Grey, he said.

It was not an unkind voice, almost gentle, the sort of voice she imagined might come from a grandfather in a children’s story.

Yes, she said slowly.

Is it Brynt back? Marlowe called. Mama? Is it Brynt?

The man took off his hat then and turned his face sideways to see past her and all at once she caught sight of his face, the long red scar over one eye, the meanness in it. He was wearing a white flower in his lapel. She started to shut the door but he put out a big hand, almost without effort, and let himself inside, and then he shut the door at his back.

We haven’t yet been acquainted, Miss Grey, he said. I do believe that will be rectified in time. Who is this, then?

He was looking at Marlowe where he stood in the middle of the room holding a little brown stuffed bear close to his chest. That bear was missing one eye and the stuffing was coming out of one leg, but it was the boy’s only treasure. He was staring up at the stranger with a blank expression on his pallid face. It was not fear, not yet. But she saw that he sensed something was wrong.

It’s all right, sweet, she said. You go on back to the reverend. It’s only a gentleman what wants some business with me.

A gentleman, the man murmured, as if amused by it. Who might you be, son?

Marlowe, said the boy sturdily.

And how old are you, Marlowe?

Six.

And who is that on the mattress back there? he said, waving his hat at the reverend where he lay, sweating and delirious, face turned to the wall.

Reverend Walker, said Marlowe. But he’s sick.

Go on, said Eliza quickly, her heart in her throat. Go on sit with the reverend. Go.

Are you a policeman? said Marlowe.

"Marlowe," she said.

Why, yes I am, son. The man turned his hat in his fingers, studying the boy, and then he met Eliza’s gaze. His eyes were hard and small and very dark. Where’s the woman? he said.

What woman?

He raised his hand above his head, to Brynt’s height. The American. The wrestler.

If you wish to speak with her—

I don’t, he said. There was a crooked chair at the wall and he set his hat down and caught his reflection in the clouded window and paused and ran a hand over his mustache. Then he looked around with a measured eye. He was dressed in a green checkered suit, and his fingers were stained with ink, like a bank clerk’s. The white flower, Eliza saw now, was wilted.

What is it you want, then? she said, trying to keep the fear from her voice.

He smiled at that. He folded his jacket back and she saw the revolver at his hip. Miss Grey, there is a gentleman of some doubtful provenance, residing at present in Blackwell Court, who’s been asking all across Spitalfields about you. He says you are the recipient of an inheritance, and he wishes to locate you.

Me?

His eyes glittered. You.

It can’t be. I got no kin anywhere.

Of course you don’t. You are Eliza Mackenzie Grey, formerly of Bury St Edmunds, under notice as a fugitive from the law for the killing of a man—your employer—are you not?

Eliza felt her cheeks color.

There’s a considerable reward out. No mention of a child, though. He looked at Marlowe with an unreadable expression. I don’t much imagine the gentleman will want him too. I can find a suitable position for him somewhere. Apprentice work. Keep him away from the workhouses. It would be a sight better than here, with your dying reverend and his crazy American.

Brynt isn’t crazy, said Marlowe from the corner.

Sweet, said Eliza desperately, you go on over to Cowett’s and ask for Brynt, all right? Tell her the reverend wants her. She went toward the door to usher him out when she heard a hollow click, and froze.

Step away from the door now, that’s a girl.

The man had leveled his revolver in the faint gray light leaking in through the window. He put back on his hat.

You don’t much resemble a killer, he said. I’ll grant you that.

He had taken out a slender pair of nickel-plated wrist irons with his free hand from the pocket of his waistcoat, and in a moment he was alongside her, grabbing her roughly by the arm, fastening the irons at her right wrist and reaching for her left. She tried to resist.

Don’t— she tried to say.

Marlowe, across the room, got to his feet. Mama? he said. Mama!

The man was pushing Eliza toward the door, ignoring her boy, when Marlowe came at him. He looked so small. She watched almost in slow motion as he reached up and grabbed the man’s wrist with both his little hands, as if to hold him back. The man turned, and for what seemed a long moment to Eliza, though it could not have been more than seconds, he stared down at the boy in amazement and then in wonder and then something in his face twisted into a kind of horror. Marlowe was shining. The man dropped the revolver and opened his mouth to scream but he did not scream.

Eliza in the struggle had fallen back against the wall. Marlowe’s face was turned from her so she could not see him, but she could see the man’s arm where the boy held it, could see how it had begun to bubble and then to soften like hot wax. His neck twisted, his legs gave out, and then somehow he was pouring down around himself, gelid, heavy, thick like molasses, his green suit bulging in weird places, and within moments what had been a powerful man in his prime was reduced to a lumpen twist of flesh, his face a rictus of agony, his eyes wide and staring from the melt that had been his head.

In the stillness, Marlowe let go of the wrist. The blue shine faded. The man’s arm stood rigid out from the frozen mess of flesh.

Mama? said Marlowe. He looked over at her, and he started to cry.

The shabby room was very cold, very damp. She went to him and held him as best she could with the wrist irons still locked, feeling how he shook, and she was shaking also. He buried his face in her shoulder, and no part of her had felt before what was in her just then—not the horror, not the pity, not the love.

---

But she was not afraid, not of her little boy.

She found the keys to the irons in the man’s waistcoat pocket. She rolled Marlowe in their good blanket and lit the last of the coal in the scuttle and rocked him to sleep at the reverend’s bedside, the ruined body of the bounty hunter on the floor beneath the window. The boy slept easily, exhausted. Brynt was still away, working, maybe, until morning. When Marlowe was asleep Eliza rolled the misshapen body into their other blanket and stuffed the revolver in too and then dragged him with difficulty to the door and down the creaking stairs, his heels thumping at each step, thumping even as she struggled over the stoop into the black of the alley behind.

The men would not stop coming for her, whoever they were. In Wapping, in Spitalfields, wherever. They would wear different faces and be of any age and carry any kind of firearm but the money offered would always be what it was and too much for a person to deny.

Eliza did not go back inside. She thought of Marlowe whom she loved and she knew with a sudden clarity that he would be safer by far with Brynt. Brynt, who knew the ways of the world, who was not wanted by bounty hunters, who had talked of returning to America one day. It seemed now like a kind of dream. In Blackwell Court two streets over there waited a man with a pint in his fist and a weapon in his pocket and he would be awake even at this hour. She drew her filthy shawl closer around herself. She gripped her elbows in her crossed hands. She walked down the dripping cobblestones through the fog and then into the street. Her heart was breaking but she did not let herself slow or turn or look back at the cracked window of their rented room for fear of what she would see, the small figure silhouetted there, wrapped in a blanket, his pale hand pressed to the glass.

A MAP MADE of DUST

•

1882

2

LITTLE FIRES

It felt like little fires in his flesh. That is what he tried to explain to them. That it hurt.

His name was Charlie Ovid and he was maybe sixteen years old by the judge’s reckoning and despite a lifetime of whippings and beatings and brutality there was not a scar anywhere on his body. At six feet he was as tall as he would ever be but still lean through the chest like a boy. His arms were wiry with muscle. He did not himself know why his body fixed itself the way it did but he did not think it had anything to do with Jesus, and he knew enough to know it was better kept to himself. His mama was black and his daddy was white in a world that looked at him a monster.

He could tell neither his age nor the month of his birth but he was smarter than they thought and he could even read some and write out his own name in careful letters if they gave him the time to do it. He was born in London, England, but his father had dreams of California, of a better world for them all. Maybe he’d even have found it, had he lived long enough to get there. But he’d died in their wagon train in Texas, south of the Indian Territory, leaving Charlie and his mother stranded, with only enough coin to get them back east again past Louisiana. After that they were just two more drifting black folk in a country full of them and when his mother took sick and died five years later, she left him nothing but her wedding ring. That ring was silver with a crest of crossed hammers in front of a fiery sun, and Charlie, not even ten years old, would hold it and turn it in his fingers in the lantern light, remembering the smell of her, wondering at his father who had given it to her in love, trying to imagine who he had been. Charlie still had that ring, hidden on his person. No one was taking that from him.

His mother had known what he could do, the healing. She’d loved him anyway. But he’d tried his best to keep it a secret from everyone else, and that—as much as the healing—had kept him alive. He had survived the river work south of Natchez, Mississippi, and the dark shanties that had sprung up nearer River Forks Road in that same town but here, standing manacled in the darkness of an old warehouse shift room, he was not sure he would survive this. Everything he’d ever known or lost or suffered in his brief life had taught him the same solitary truth: everyone leaves you, eventually. In this world, you only got yourself.

He wore neither shoes nor coat and his homespun shirt was stiff with his own blood and his trousers were ragged. He was being kept in the warehouse and not in the jail on account of the fear the sheriff’s wife had of him. He was pretty sure that was it. For two weeks now he’d been kept manacled at the ankles and his wrists cuffed in front. The deputy marshal would come some days with other white men holding clubs and chains and they would set the lantern down on the floor and in the crazy shadows beat him for the sport of it and then watch laughing in amazement as the wounds closed over. But even as he healed, the blood was real, the pain he felt was real. The terror as he lay crying in the darkness was real.

Later he could do little but lurch, clanking from wall to wall in the near dark, feeling the little fires where his wounds had been, the tears and snot drying on his face, careful not to knock over the bucket of his own night soil. His wrists were so narrow the irons had kept sliding off until the sheriff brought in a set made special by the blacksmith, and those ones fit. The only furniture in the room was a bench suspended from the wall on rusting chains and he would lie out on it when he thought it must be night and try sometimes to sleep.

He was lying on it that day when he heard voices in the street outside. It was not mealtime, he knew that much. Mealtime came but twice a day and it was the deputy marshal who brought it over on a tray covered in cheesecloth straight from the sheriff’s kitchen up the street and the deputy marshal would sometimes make a point of spitting in it before setting it down. Charlie hated him, hated and feared him, the casual cruelty in him and the way he called Charlie mongrel and his coarse laugh. But most of all it was the look in the man’s eye that frightened Charlie, the look that said he, Charlie, was just an animal, that he was not even a person at all.

From outside there came the banging of tumblers in the big warehouse door and then the slow heavy tread of boots approaching. Charlie got to his feet, cringing, afraid.

He had killed a man. A white man. That is what they told him. It was that Mr. Jessup who stalked the wharf of the riverboat shipping lines going south to New Orleans and north to St. Louis with a whip singing in his fist, just like it was still 1860, just like no war had ever happened and nothing had been abolished and freedom wasn’t yet the lie it would be proven to be. The man he killed deserved it, he was sure of that, he felt no remorse. But the thing of it was, he did not remember the killing. He knew it had happened because at the hearing everybody had said he had done it, even old Benji, with his sad eyes and trembling hands. In broad daylight, yessir. On the lumber platforms, yessir. Charlie was being whipped for some transgression or other and it went on so long he could feel the slashes beginning to close over and when Mr. Jessup saw it too and swore and started calling down the devil on him Charlie turned in fear, turned too quickly, it must have been, and he knocked into Mr. Jessup and the man had fallen onto the pier and struck his head funny and that was that. But when they tried to shoot him for it Charlie just started breathing again almost at once and the bullets oozed back out of his flesh in front of the executioner’s very eyes. And when they tied him to a post a second time and took their aim they still could not kill him and they did not now know what to do with him.

Now the footsteps had stopped and Charlie heard the scrape and jangle of the keys on their ring and then the heavy door with its iron locks shook. The sound of a club striking the metal clashed and echoed.

On your feet! the deputy marshal shouted. You got visitors, boy. Straighten up.

Charlie flinched and moved to the rear wall so that the cold bricks were against his back. He held his hands in front of his face, shaking. No one came to visit him, ever.

He took a deep frightened breath.

The door swung open.

---

Alice Quicke, tired, sore-knuckled, world-weary, was standing in the white sunlight outside the ruined warehouse in Natchez, glaring up the steep street as her partner, Coulton, ambled toward her. Four nights earlier, in a wharf-side eatery in New Orleans, she had found it necessary to acquaint a man’s nose with the brass railing of the bar, and only Coulton’s revolver and a hasty exit had prevented real bloodshed. Sometimes men made themselves at home in women’s clothing in a way she had less and less patience for as she got older. She was over thirty now and she’d never been married and never wanted to be. She’d lived by violence and her own wits since she was a girl and that seemed good enough to her. She preferred trousers to bustles and corsets, and wore over her wide shoulders a long oilskin coat, cut for a night watchman, with the sleeves folded back off her wrists. It’d been black once, faded now almost to gray in places, with tarnished silver buttons. Her yellow hair was greasy and tangled, cut to a manageable length by her own hand. She was almost pretty, maybe, with a heart-shaped face and fine features, but her eyes were hard, and her nose had been broken years ago and badly set, and she did not smile enough for the attentions of men to linger. That was fine by her. She was a female detective and it was hard enough to get taken seriously without having her goddamn hand kissed at every turn.

Coulton, up the street, was in no hurry. She watched him drift casually under the leafy green poplars, fanning his bowler hat as he went, one thumb hooked in his waistcoat. All around her lay the shabby riverside stillness of a city still pretty in all its architecture, all of it built on the backs of slaves, pretty like a poisonous flower. Coulton was coming from the sheriff’s house, from the little brick jail beside it.

She was beginning to hate this job.

She had located her first orphan, a girl named Mary, in a rooming house in Sheffield, England, last March. The second one went missing before they even got to Cape Town, South Africa. Alice found his grave newly dug, red gravel, no grass, a little wooden marker. Dead of a fever, the burial paid for by a Ladies’ Aid society. Coulton told her about others who’d come from Oxford, Belfast, Whitechapel itself. In June she and Coulton had sailed for Baltimore and collected a girl from a workhouse there and later sailed south for New Orleans and booked passage on a riverboat steamer upriver and now they were here, in Mississippi, looking for one Charles Ovid, whoever that was.

She didn’t know more than that because she’d been given nothing but the kid’s name and the address of the Natchez city courthouse. That was how it worked. She didn’t ask questions, she just got on with it. Sometimes she was only given a street, or a neighborhood, or the city itself. It didn’t matter. She always found them.

Coulton was wearing a yellow-checkered suit despite the heat and his whiskers stood out in a frazzle at his jaw. He was as good as bald but he combed what hair he had left across his scalp and was always reaching up, smoothing it into place. He was maybe the most reliable man she’d ever known, stout and polite like a good Englishman, straight out of the middle classes. But Alice had also seen him move with a fury through a smoky pub in Deptford leaving bodies in his wake and she knew not to underestimate him.

He’s not here, Coulton said now, coming up. They’re holding him in a warehouse. He waved his bowler slowly by its brim, mopped his face with a handkerchief. Sheriff’s wife didn’t want his like in with the others, it seems.

Because he’s black?

Not that. I expect they have plenty of his kind in the jug.

She waited.

I’ll have to sit down with the local judge, hear what he has to say, he went on. The sheriff’s arranged it for later this evening. Legally speaking, the lad ain’t property, but I get the impression he’s the next best thing to it. Near as I can figure, depot sort of owns him.

What’d he do?

Killed a white man.

Alice looked up.

"Aye. Some sort of accident at the dockyards where he was working. A confrontation with an overseer and the man fell off the platform and hit his head. Dead, just like that. No great loss to the world maybe. Sheriff doesn’t believe it was done on purpose, but he also says it doesn’t matter to him, what happened happened, you can’t have it happening again. Now here’s the thing. Lad’s already been tried and found guilty. His sentence was carried out."

Carried out—?

Coulton opened his hands wide. They shot him. Six days ago. It didn’t take.

What do you mean, it didn’t take?

Coulton peered calmly back at the jail, his eyes shadowed. Well, lad’s still breathing. I reckon that’s their meaning. Sheriff’s wife says the lad can’t be hurt.

I bet he’d say different.

Aye.

And that’s why he’s locked up in a warehouse. Because they don’t want the good folk getting all worked up.

"Miss Quicke, they don’t want the good folk even to know. Far as the town of Natchez is concerned, Charles Ovid was shot dead in the jail six days ago. The lad’s already buried."

Can’t be hurt. Alice blew out her cheeks. She loathed the small-minded superstitions of little towns, had done so all her life. She knew these people wanted a reason, any reason, to hit and keep on hitting a black kid who’d killed a white man. Bullshit about it not leaving a mark was as good as any.

So what’re they going to do now? she said. I mean, if we didn’t show up offering to take him off their hands, what would they do with him?

I reckon they’d go ahead and bury him.

She paused. But if they can’t kill him—

Coulton held her eye.

And then she understood. They would bury him alive. She let her gaze drift off over his shoulder. This fucking place, she said.

Aye. Coulton squinted out at whatever it was she was watching, saw nothing, looked up at the cloudless sky.

There were two men approaching now from up the street, silhouetted and rippling in the heat. They came on foot without horses, both wearing suits, the taller man cradling a rifle crosswise in front of him. The sheriff and his deputy, she supposed. What would you like to do to them? she said softly.

Coulton put his bowler back on, turned. The very same as you, Miss Quicke, he said. But our employers would not approve. Justice is just a bucket with a hole in the bottom, as my father used to say. You ready?

Alice rubbed her knuckles.

She’d worked with Frank Coulton for thirteen months and had come nearly to trust him, as much as she trusted anyone at least. He’d found her through an advertisement she had posted in the Times. He’d climbed the water-buckled stairs of her tenement in Deptford, clutching the clipping in the pocket of his chesterfield, his breath standing out like smoke in the cold. He wished to inquire, he’d explained in a quiet voice, after her credentials. A yellow fog rolled past in the dripping alley outside. He’d heard things, he went on, had heard she’d been trained by the Pinkertons in Chicago, that she’d beaten a man unconscious with her bare fists on the East India Docks. Was there any truth to such reports?

Truth, she’d thought in disgust. What did the word even mean?

Truth: she’d survived as a pickpocket on the streets of Chicago from the age of fourteen. Truth: she had a mother incarcerated in an asylum for the criminally deranged whom she had not seen in nearly twenty years, and no other family in all the world. She was eighteen when she picked the wrong pocket and the hand that seized her wrist turned out to belong to Allan Pinkerton, private detective, railroad man, intelligence agent for the Union cause, but instead of turning her in he took a shine to her and invited her to his offices, and to her own surprise she went. He trained her in the art of undercover operatives. She did that for eight years and you could ask any of two dozen bastards sitting in jail somewhere if she was good at it and they would spit and wipe their mouths and concede it by the hate in their eyes. But when Pinkerton’s sons rose to power she was let go, all because she was a woman, and therefore delicate, and therefore not right for detective work. She put her fist through the wall of William Pinkerton’s office when he fired her.

"Your fucking wall is delicate," she said to him.

But after that she could only get work at racetracks up and down the Eastern Seaboard and when that too dried up she bought a ticket on a liner bound for London, England, because where else and why not. There she discovered a city so dark with vice and cutthroats and foggy gaslit alleys that even a female detective from Chicago with hair the yellow of murky sulfur and fists like mallets could find plenty of doing needing to be done.

The sheriff and his deputy came down the hot street, nodding politely as they neared. The deputy was whistling, badly and off-key.

Mr. Coulton, said the sheriff. We could’ve walked down together. And you must be Mrs.—

"Miss Quicke, said Coulton, introducing her. Don’t let her fine looks deceive you, gentlemen. I bring her for my protection."

The sheriff seemed to find this amusing. The deputy was cradling his rifle, studying Alice like a strange creature washed up out of the river, but there was no contempt in it, no hostility. He saw her watching and smiled shyly.

We don’t get many visitors from overseas no more, said the sheriff. Not since the war. Was a time we saw all sorts of folk, Frenchmen, Spaniards. Even a Russian countess lived here for a time, ain’t that right, Alwyn? She had different customs, too.

The deputy, Alwyn, blushed. My daddy always said so, he said. But that was before my recollection. I ain’t married neither, miss.

Alice bit back her retort. Where’s the boy? she said instead.

Ah, yes. You’re here for Charlie Ovid. The sheriff’s face darkened with regret. Come on, then. He stopped a moment and adjusted his hat and frowned. Now, I don’t know I should be doing this. But seeing as how you come all this way, and you’ll be talking to Judge Diamond later, I don’t know that it’s a problem neither. But I don’t want you talking about what you see. It’s kindly a sore point around here, this boy. He’s the damnedest thing.

An abomination is what he is, muttered the deputy. Like one of them things in the Bible.

What things? said Alice.

He blushed again. Satan’s minions. Them monsters he made.

She stopped and faced him and stared up the length of him. That’s not in the Bible, she said. You mean Leviathan and Behemoth?

They’s the ones.

Those are God’s monsters. God made them.

The deputy looked unsure. Aw, I don’t think—

You should.

The sheriff was unlocking the heavy warehouse door, lock by lock. England, you said, he murmured. That’s a distance and a half to come for a little old black boy.

Aye, said Coulton at the sheriff’s elbow, offering nothing more.

The sheriff paused at the last lock, glanced back. You know, there ain’t any way the judge is going to let this boy go, he said pleasantly. Not with you or with anybody.

I hope you’re mistaken, said Coulton.

I don’t say it to be personal, now. The sheriff offered a smile. I always did want to see England someday. The missus, she says, ‘Maybe it’s time you hung up your spurs, Bill, and we took ourselves a voyage.’ Her parents come over from Cornwall once upon a time, you see. Now, I don’t know if I’m just too old to go wandering about the world like a tinker. But it seems a distance and a half, you ask me.

The warehouse was dark and smelled faintly of sour cotton and rust. The air was stifling, thick. Just inside the door on nails in the wall hung two old lanterns and the deputy took down one and opened its glass door and lit it with a flint and then they shut the door behind them. The light swung loosely in the man’s fist. Alice sighted the outlines of great machinery in the gloom, hooks and chains hanging in long loops from the rafters. The sheriff led them across the warehouse floor to a grimy corridor, its walls punctured with holes as if from bullets, daylight streaming through. There were the outlines of doors along the opposite wall and at the end a single thick iron door with several locks and here the sheriff paused.

The deputy set down the lantern, swung the butt of his rifle against the door. On your feet! he shouted through. You got visitors, boy. Straighten up.

He turned shyly to Alice. I don’t know that he’s all there, miss. Don’t be alarmed by him none. He’s a bit like an animal.

Alice said nothing.

The door swung open. Inside all was darkness. A terrible stench wafted out, a stink of unwashed flesh and filth and feces.

Good God, muttered Coulton. This is he?

The sheriff held a handkerchief to his mouth and nodded gravely.

The deputy held the lantern out before him, entering cautiously. Alice could make out the figure of the boy now, hunched against the far wall. He was tall and skinny. She could see the glint of light on the manacles at his wrists, the chain at his ankles. As she slipped inside she caught sight of his ragged trousers, his shirt crusted brown with dried blood, the terror in his eyes. But his face was smooth, fine-boned, unbruised and unswollen, his eyelashes long and dark. She’d been expecting a terrible damage; it was strange. His small ears stuck out from his head like little handles. He raised his hands in front of him, as if to ward off a blow, as if the light pained him. The chains rustled softly as he breathed.

I never saw nothing like him in all my life, said the deputy, almost with admiration. He was talking to Alice. Wouldn’t none of us believe it if we hadn’t seen it with our own eyes. All that blood’s his own, but you won’t find a mark on him. You take a club to him, he just gets back up. You take a knife to him, he just heals right in front of you. I swear, it’s almost enough to make a man believe in the devil.

Yes it is, muttered Alice, glaring at the deputy in the bad light.

Go on, Alwyn, said the sheriff. Show them.

The boy cowered.

By God, Mr. Coulton—! Alice said, too loudly.

Coulton held out a hand to stop the deputy. That won’t be necessary, Alwyn, he said, in his calm way. "We believe you. It’s the reason we’re

Reviews for Ordinary Monsters

[tip44 · Rating: 4 out of 5 stars]

Deeply creepy with a sense of dread and uncertainty throughout. Reader was great, but struggles a bit with American accident - which save me because laughing at it keep me from being freaked out.

[nvblue · Rating: 4 out of 5 stars]

Update 2024-11-19
I need to rewrite this review. It looks like I had a stroke. Also, after reading this book again, it is way too wordy.

---
I can credit this book with helping me discover that I have a soft spot in my heart for a late-Victorian lady bounty hunter.

Ordinary Monsters is a very well written novel with highly memorable characters. Ms. Quicke and Mrs. Harrogate will certainly stay with me for a long time. (I hear this book is one in a trilogy, and I eagerly await the release of the next one).

I was pleasantly surprised by the twists that this novel placed on some existing tropes (eg. Magic school, children with special abilities, crossing into another world). While this novel did feature many stock characters and tropes in the beginning, they quickly morphed into their own shoes and did not disappoint.

Besides the excellent writing style of the author, the thing I most enjoyed about this book was the shades of moral ambiguity that it dealt in. Most of the characters have good and bad sides, good and bad characteristics, and most notably the plot shares these features. Till the chapter I was trying to figure out the motives of some of the characters, and that was wonderful. That being said, the last scene was a bit gut wrenching, and made me rather sad.

The main issue I had with this book was, that although the characters were well written, and had great potential, I never got to know any of them intimately. Ms. Alice Quicke was probably the best character in the book. At nearly 700 pages, I feel like the book could have given a bit more intimate insights into the characters. At the end of the day, I was still very attached to them, so this is a minor point.

[ragwaine · Rating: 5 out of 5 stars]

I did this on audio (on Libby), with no encouragement other than the summary blurb sounded interesting. So glad I did. I really loved the plot, I loved the talents, I loved how creepy the bad guys were.

I didn't love the length, there was a bunch of repetition (same scene but expanded upon later) that could have been dropped out. Still totally worth it, will definitely be reading more from Miro. And also, when is the movie coming out? This would be so amazing as a series or a movie!

The narrator's voice was one of the lowest I've heard, but I loved it. Though some of the higher, scratchier voices made it impossible to understand sometimes.

[jmchshannon · Rating: 4 out of 5 stars]

Ordinary Monsters by J. M. Miro is a novel that did not get much attention this year, and that saddens me. To me, it is very Gothic, dark, and disturbing. One might call it a supernatural horror story because it gets so dark. At over 600 pages, Mr. Miro takes his time building the plot and establishing the characters, but the wait is well worth it. Once the story starts in earnest, the rest unfolds at breakneck speed, leaving no chance for you or the poor characters to catch their breath. I enjoyed Ordinary Monsters and hope there are enough sales for Mr. Miro to publish the second book.

[muddyboy · Rating: 5 out of 5 stars]

This is the start of something big. This novel will be the start of a blockbuster trilogy. This book has everything - kids with special talents,, a Victorian setting and evil monsters with other worldly connections. Well over six hundred pages but it moves along at a rapid pace never lacking for action. Many times when a book is part of ta projected series it seems the authors spend too much time backgrounding book two. This is not the case here. This book stands well alone.

[acarballo · Rating: 3 out of 5 stars]

The story is interesting. The dense prose captivates. Some characters as well. Although with that material, it could have been more epic. We'll see the second part. (Translated from Spanish)

[yarmando_3 · Rating: 4 out of 5 stars]

Action packed and gruesome: the way a good penny dreadful should be. Children with talents—some eerie, some monstrous—fight and flee the terrors seeking to use them to open, or seal, the gate between the living and the dead.

Great first half, as we meet Charlie the Healer, Komako the commander of dust, and uncanny Marlowe. But the action and slows as it settles at the institute in Cairndale. The scenes drag (but appropriately so) beyond the orsine in the city of the dead, but it all accelerates into a big, satisfying conclusion.

[spiritedstardust · Rating: 4 out of 5 stars]

Major umbrella academy vibes

[reader1009-863136 · Rating: 4 out of 5 stars]

adventure/suspense fantasy fiction / humans with superpowers, monsters in 19th century England/America.

fun, immersive read--excellent pacing, storytelling, world building. Those 670+ pages just flew by, and I'll be anticipating the next installment.

[verkruissen · Rating: 5 out of 5 stars]

Ordinary Monsters by J.M. Miro is an extraordinary read. I found it dark, moody, atmospheric and completely engrossing. The story takes place in what feels to be the 1800's, industrial age due to the heavy smog and descriptions given to London.
I found myself feeling like Xavier's school for the gifted was now located in Scotland and the what the students had was referred to as "talents" rather than magic or abilities. The "talents" themselves were captivating and unique as were the children that had them.
I am compltetely stoked that this is a trilogy even though the first book was quite the tome at nearly 700 pages it did not feel like a long book. It definitely had me hooked from the beginning. Definitely one of the best books I've read this year!