Evoking Emotion
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Few books can transform the way you write and bring your stories to life like Angela Hunt's Writing Lessons from the Front. This lesson, Evoking Emotion, provides readers with tools, techniques, and insights to create stories that evoke powerful feelings in the reader. Whether you are a veteran writer or a beginner,
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Book preview
Evoking Emotion - Angela E Hunt
EVOKING EMOTION
WRITING LESSONS FROM THE FRONT, BOOK 5
ANGELA HUNT
Hunt Haven PressVisit Angela Hunt’s Web site at www.angelahuntbooks.com
Copyright © 2013 by Angela Hunt. All rights reserved. This lesson cannot be reproduced without permission from the publisher.
ISBN-13: 978-0615848174, 978-1961394605
ebook: 978-1961394612
CONTENTS
Chapter 1
Afterword
About the Author
Also by Angela Hunt
Endnotes
The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see.
– Sol Stein, Stein On Writing
CHAPTER ONE
I was a singer before I became a writer. I spent a year traveling throughout the United States as part of a ten-member vocal ensemble whose specialty was a capella arrangements and God and Country
music.
Our director was and is a marvel—a great storyteller, an amazing musician, a teacher, a caring minister, and a disciplined mind. One day he said something I knew to be true: It’s all in the music,
he said, talking about a wonderful arrangement of God Bless America
we’d just rehearsed. You can write in a standing ovation if you know what you’re doing.
I listened in amazement. He was right; every time we sang God Bless America
people rose to their feet at a certain point, applauding the entire time. How did he do it?
Years passed. I came off the road, got married, had children, raised a family and began to write. I learned about plotting, creating characters, and the art of revision. I studied every craft book I could find because I wanted my books to be the best they could be.
One day I was talking to a friend who ran a novelist’s retreat where I often taught. I pointed out that I knew musicians who could write music that unfailingly evoked specific emotions and actions—so why couldn’t we do the same thing in our writing?
That sounds like a great class,
she said. Why don’t you teach it?
Gulp. I knew how to write scenes that moved my readers, but how did I do it? And how could I explain it to others?
For several days the question badgered me. I did an Internet search and found dozens of websites where writers were told to write to evoke emotion,
but I could not find much concrete advice on how to do that. Occasionally I found a page that reminded me to use details or music, description and memories, but those were things I used all the time. So how was I supposed to teach others how to evoke emotion?
Finally I turned my thoughts to what makes me cry. What moves me? And even though I am a rational, practical person at the core, I also feel deeply and can cry easily provided something moves me.
So what moves me? What makes me laugh? What makes me cry?
I came up with an answer in a flash: country music. Not those beer-drinkin’, I-lost-my-cheatin’-lover kinds of songs, but the ballads that tell a story in three and a half minutes. Songs about old married couples and parents and kids, moms with prodigal daughters and dads raising hard-headed sons. Those kinds of songs.
I can’t