Origami Book for Beginners: Discover The Peerless Beauty of The Japanese Tradition: Paper crafting

By Vanessa Brooks

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• Language: English
• Publisher: Vanessa Brooks
• Release date: Jun 5, 2020
• ISBN: 9781393727507

Vanessa Brooks

Vanessa Brooks is an American author from Buffalo, New York. She specializes in books on arts and crafts with a heavy focus on origami, macramé, and cricut. Her latest project combines her lifelong passion with writing in the hopes of connecting people to the beauty of simple artforms that can be created with paper, scissors, and other household items. With a degree in foreign languages, Vanessa was fortunate to participate in the Erasmus program. Not only did it allow her to spend two years in Zaragoza, Spain, but it also gave her a thirst for other cultures. The opportunity to completely immerse herself in the rich history and tradition of the Spanish people is by far the most rewarding experience of her life. She has since returned to Buffalo, where she teaches Spanish, but her one true love will always be inspiring her passion for home crafts in those she meets. A true woman of the world, Vanessa believes that the only way to have a fulfilling life is by giving back to others. Not only are her designs and creations easy to make, but they are also the perfect opportunity for family bonding.

Book preview

ORIGAMI BOOK FOR BEGINNERS

DISCOVER THE PEERRLESS BEAUTY OF THE JAPANESE TRADITION.

© Copyright 2020

All rights reserved.

No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, or by any information storage and retrieval system without the prior written permission of the publisher, except in the case of very brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

TABLE OF CONTENTS

INTRODUCTION

History of origami

What is origami

Origami Bases

origami folding

Origami basic models for beginners

Types of Origami

Action Origami

Wet-folding

Modular Origami

Pureland Origami

Origami Tessellations

Technical Origami

Money Origami

How to Make 3D Origami Units

Kirigami

A Buyer's Guide To Origami paper

Origami and Copyright Laws

The Number of Times You Can Fold Paper

Origami in Fashion

Who are the Best Known Origami Masters in the World?

Reasons Why Origami Improves Students' Skills

Meditation Through Origami

CONCLUSION

Disclaimer

about The Author

INTRODUCTION

In my mind, the many different ways in which people take an interest in paper folding are one of the coolest things about origami. Folding paper is a solitary activity at first sight. Yet origami has a powerful ability to unite people.

My personal origami is typically very realistic. I like to look at beautiful origami creations that take several hours to form, but designs such as bags, envelopes, cards are more suited to my life.

Origami is a Japanese art form of worldwide popularity. One explanation for his lasting appeal maybe that paper folding art is open to everyone from an eager novice to an accomplished professional.

We know many of you want to learn more about origami, but don't know where to start.

Because paper is aging, it is difficult to find an exact timeline for the development of origami. The document was commonly published in 105 A.D. Throughout Japan. In Europe. The Japanese used paper for the first time in the sixth century. It's possible that other civilizations participated in different forms of paper plying, but first, the Japanese explored the possibility of using paper as a tool for painting.

Meaning of the Name

Origami was first identified as orikata (folded forms). Nevertheless, in 1880, the craft became recognized as origami. The word origami derives from oru (to fold) and kami (paper). Whereby the students have hypothesized that the characters for this word were actually the simplest to learn to write for school children.

History of origami

It is almost impossible to write a detailed analysis of paper folding because knowledge on the craft before the 15th century is virtually nonexistent. There are many logical theories about its roots and early history, but most of these are focused on a small amount of firm knowledge. Some studies say origami was created over a thousand years ago by the Japanese, but it can well be rooted in China. It is also highly likely that before the paper is developed, the mechanism of folding was used on certain products, thus the roots of recreational folding that lie with fabric or leather. Sure, napkin folding and linen plating methods have been highly regarded in Europe. Yet paper has proved to be the best medium for folding, and so it is clear why paper folding has adopted the papermaking cycle.

Paper was developed in China, and Cai Lun, the Chinese court official, has historically been regarded as the inventor, while recent research indicates that paper was already invented. Cai is recognized, however, to have invented the paper definition about 105 CE. He finds a much better and cheaper way of creating a field of writing relative to the fabric of silk, by making paper from the macerated bark of trees, hemp waste, old rags and fishnets. Then papermaking skills emigrated through Buddhist monks to Korea and Japan by 610. Japanese papermakers further increased paper production and paper quality was suitable for folding, although there was no hard evidence of origami prior to 1600. In 1680 a short poem by the poet and novelist Ihara Saikaku mentioned butterfly origami, which reveals how well-established it was at that time in Japanese culture. One of the earliest known paper folding instruction books was Sembazuru Orikata of Akisato Rito (1797), demonstrating how to fold attached cranes, which were cut and folded from a piece of paper.

The German educator Friedrich Froebel (1782–1852), a founder of the nursery, was a strong promoter of paper folding and its instructional benefits and led to the worldwide dissemination of pliers of paper. The Folds of existence (basic folds that introduced children to paper folding), the Folds of truth (teaching basic concepts of geometry) and the Folds of beauty (more evolved folds centered on triangles, hexagons and octagons); the famous Froebel Star, a common decoration for Christmas and decor, was named after him but was actually an innovative piece of paper. Around 1880, such Froebelian folds were incorporated in English and Chinese schools, and the name origami started to be used to denote therapeutic folding about that period. The first Waldorf School in Rudolf Steiner (1919), Stuttgart, Germany, began German research on paper folding, demonstrating a variety of hand-held practice involving origami, and the Bauhaus School of Design (1919-33). As a way of teaching industrial design students, Bauhaus used pliers and admired the Bauhaus teacher, and artist Josef Albers was especially well suited to construct dome-shaped designs from flat sheets of paper.

The prominence of origami was also greatly expanded by a Spanish author and writer Miguel de Unamuno (1864–1936). He was a popular paper packet, found in cafes that rendered paper birds. Throughout several books, including Amor y pedagogía (1902; Love and Pedagogy), he explored paper plying and even used it as a symbol for his in-depth discussions regarding research, theology, philosophy and existence. Paper folding has also spread in South America, primarily because of the work of Vicente Solórzano Sagredo, Argentine doctor and master folder (1883–1970), who is the creator of the most detailed paper folding guides. The groundbreaking book Paper Toy Making by Margaret Campbell was published in England in 1937, which included an extensive collection of origami patterns. Two years later, British mathematician A.H's article flexagons. Stone, whose paper frameworks strangely transformed their faces when properly flexed, improved both the leisure and education success of paper plying.

Following the Second World War in North America, the interest in origami was growing, and the subject was researched intensively, especially by folk Gershon Legman in the United States. Legman organized the origami of the Japanese master Akira Yoshizawa (1911–2005) in Amsterdam in 1955. Yoshizawa was deemed his time's most significant archive, and his research influenced later generations of folders. Lillian Oppenheimer also contributed to making the term origami famous and bringing it to Americans in the 1950s. She founded the Origami Center of America in New York in 1958, used the relatively new platform of television for popularizing the craft, and produced a number of origami books with children's entertainer and TV star Shari Lewis, Oppenheimer liked to say, "Why should the Japanese have all that fun? American directories, including Fred Rohm and Neal Elias built in the 1960s and early 1970s new technology that created models with unparalleled sophistication.

By the late 1980s, in the USA, Jun Maekawa, Fumiaki Kawahata, Issei Yoshino, and Meguro Toshiyuki had further improved methods, for example, the folding of animals and insects with several legs and antennas. In the early 1990s, Lang created a computer software (TreeMaker) that helped to fold bases specifically and another to locate simple, quick folding sequences for any point or line in a quadrature.

Paper Folding in Japan

During the 6th century, the Buddhist monks (sometimes credited to one monk named Dokyo) brought the paper into Korea and then into Japan. Document folding has become an art form in Japan and has developed into what we consider origami today.

In Japan, the paper was expensive and not publicly available. Folding of paper and ink was confined to procedures and structured ceremonies. Some of the earliest examples of folding paper (including the cuttings) are Shide; these are zig-zag-shaped papers used in cleansing rituals. Shide can be attached to straw cloths for holy places (Shimenawa), attached to alters or attached to a wooden staff to be used as purification walls (Gohei). Shide was probably made of silk but then transferred to paper later.

Plastic butterflies have been used for decorating sake (Japanese wine) bottles at typical Shinto weddings. Probably the earliest type of representational origami are the butterflies called Mecho and Ocho. Mecho (female) & Ocho (male) precede the paper crane associated with origami today.

Throughout Japan, etiquette rules exist for offering and receiving gifts. Document displays have been arranged in various ways to symbolize different things. For example, Origami Tsuki was a pliable piece of paper accompanying a valued gift and acted as an authenticity certificate.

Noshi was a pliable piece of paper containing a present and a sign of good fortune.

Tsutsumi was a package of traditional presents. These ritual folds symbolized honesty and cleanliness.

Before the 1600s there was very little documentation of recreational origami, but in Japanese culture, the play origami was so widespread that kimonos were adorned with paper cranes by the 17th century.

Paper Folding in Europe

Europe's history of paper plying is a tale in itself. The plurality of origami scholars agrees that early paper folding in