Gil Walsh Interiors: A Case for Color
By Gil Walsh and Margaret Reilly Muldoon
3/5
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About this ebook
Master colorist Gil Walsh has spent decades bringing her expertise to elegant homes from Pennsylvania to West Palm Beach, Martha's Vineyard, and beyond. Now she brings readers into her creative process, showing how she helps clients express their personal lifestyles through inviting and gorgeously vibrant interiors.
With stunning photography, this volume demonstrates how color can be enjoyed with gusto, whether in pretty pastels or bold, bright hues. From beach houses in the Florida Keys to sky-scraping apartments in Palm Beach, historic landmark buildings such as Fallingwater and the Duquesne Club in Pennsylvania, and a cozy cottage on Martha's Vineyard, Gil has applied her artistic eye and techniques to a wide variety of interiors and period styles.
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Book preview
Gil Walsh Interiors - Gil Walsh
Foreword
by Steven Stolman
I am not now, nor have I ever been, an interior designer. But I have lived among and worked with many and like to think that I know a beautiful room when I see it.
Gil Walsh, the design firm, also knows a thing or two about beautiful rooms, because they create them. With painstaking attention to detail, unabashed use of color, and a deep knowledge of the history and traditions of interior decor, they have delivered extraordinary comfort and style to their clients. That is evident in the gorgeous photographs within this inspiring book.
Gil Walsh, the lady, conjures up a very different kind of beauty. When I first met her years ago in Palm Beach, and to this day, I have always been impressed by her ability to take the ordinary and make it extraordinary. Stuff like a shirt, a bracelet, a pair of spectacles—on everyone else, they remain just that: stuff. But on Gil, everything seems special.
Call it spirit, chic, joie de vivre, whatever, this is what Gil brings to the rooms lucky enough to receive her artistic touch. And that’s a beautiful sight to behold.
Photo of outdoor table setting.Photo of orchids on dresser.Photo by Kim Sargent
Photo of patio.Photo by Kim Sargent
Preface
by Margaret Reilly Muldoon
Sixteen years ago I had the pleasure and good fortune of being introduced to Gil Walsh by my sister. We met atop the D&D Building in Manhattan, where we were having lunch. The two of them were in town shopping for my sister’s new apartment at the UN Plaza.
I was immediately taken with Gil’s personal sense of style and how she saw color both in her wardrobe and the images from her work. At the time, Gil was heading the interior design department of a large Pittsburgh-based architectural/engineering firm. She recognized the potential of the Florida real estate market and convinced the firm to open a West Palm Beach office. It was an immediate success. Her Pittsburgh clients were making the move to Florida as seasonal residents, and a whole new group of homeowners began to see her work and commission her services.
Meanwhile, I moved to the Palm Beach area after more than twenty years heading my own communications firm in New York City. Gil introduced me to her firm and I was hired to handle the publicity and special events.
When Gil struck out on her own, I went with her, and the rest is history. It has been an amazing and exciting time watching the growth of Gil Walsh Interiors and the evolution of her style and work for clients up and down the East Coast, from Martha’s Vineyard to the Keys.
When asked to write this book with Gil, I immediately agreed. I knew that her work merited a book and the time was right. Gil Walsh Interiors: A Case For Color is a selection of Gil’s work over a twenty-year period. Each image brings to life her wonderful artistry and the inspiring and dramatic looks she has achieved for her clients. It has been an honor to help introduce her ideas to lovers of interior design and designer monographs everywhere.
Photo of rustic room.Photo by Kim Sargent
Introduction
by Gil Walsh
My career in interior design began by way of my parents and grandparents, who taught me to love art, music, and design in a wonderful upper middle class background. We often visited nearby Pittsburgh, where my mother, Mary, took us to museums and the symphony.
Both my father, Thomas Wesley Moran Jr., and his father were physicians who practiced in Latrobe, Pennsylvania, a small mill town of 11,000 plus people. Grandfather Moran was a superb violinist and singer. He had a keen interest in beautiful furniture and furnishings, so I was surrounded by exquisite objects while growing up. We are all influenced in the direction our lives take when we are young, and I feel so blessed to have had a wonderful childhood with my large extended family—lots of cousins and doting parents and grandparents—and noisy family dinners. We were three children in my family, two girls and a boy.
As Dad practiced medicine, Mother studied art. Mother had a wonderful eye and great style. A painter, she was originally interested in realism but later changed her focus to contemporary art. She took art classes, driving forty miles to Pittsburgh with my sister and me in tow, enrolling us in small art programs at the museum. Our wonderful outings gave me an appreciation for art, culture, architecture, and design. My sister, Julie, has become a private fine art advisor in New York City.
Mother’s father, James Gill, was a self-made man who ran a steel company. Latrobe was surrounded by steel mills, providing work for hundreds and the eventual fortunes of a select few, like the Carnegies. My name was derived from a combining of my mother’s first name with her maiden name, Gill; she changed my spelling to Marigil, and I am called Gil, for short.
Back in the 1930s, Grandfather hired an interior designer from Pittsburgh, something unheard of in Latrobe. I inherited his love for jewelry, furniture, and lush flowering gardens, spurring my initial interest in botanicals. Gardens have always played a part in my overall concept of design. His garden was a beautiful haven for me as a child.
My father served in a MASH unit in the Army and the Naval Medical Corps during the Korean War. After his discharge, our family moved to Boston before our move back to Latrobe. My parents built a classic-style house of red and pink brick with black shutters next door to Winnie
