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Long story. According to Wikipedia: "Mary Roberts Rinehart (August 12, 1876-September 22, 1958) was a prolific author often called the American Agatha Christie.[1] She is considered the source of the phrase "The butler did it", although she did not actually use the phrase herself, and also considered to have invented the "Had-I-But-Known" school of mystery writing.... Rinehart wrote hundreds of short stories, poems, travelogues and special articles. Many of her books and plays, such as The Bat (1920) were adapted for movies, such as The Bat (1926), The Bat Whispers (1930), and The Bat (1959). While many of her books were best-sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. The Circular Staircase is a novel in which "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The house they choose belonged to a bank defaulter who had hidden stolen securities in the walls. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt. This novel is credited with being the first in the "Had-I-But-Known" school."[3] The Had-I-But-Known mystery novel is one where the principal character (frequently female) does less than sensible things in connection with a crime which have the effect of prolonging the action of the novel. Ogden Nash parodied the school in his poem Don't Guess Let Me Tell You: "Sometimes the Had I But Known then what I know now I could have saved at least three lives by revealing to the Inspector the conversation I heard through that fortuitous hole in the floor." The phrase "The butler did it", which has become a cliché, came from Rinehart's novel The Door, in which the butler actually did do it, although that exact phrase does not actually appear in the work."
Mary Roberts Rinehart
Mary Roberts Rinehart (1876–1958) was one of the United States’s most popular early mystery authors. Born in Pittsburgh to a clerk at a sewing machine agency, Rinehart trained as a nurse and married a doctor after her graduation from nursing school. She wrote fiction in her spare time until a stock market crash sent her and her young husband into debt, forcing her to lean on her writing to pay the bills. Her first two novels, The Circular Staircase (1908) and The Man in Lower Ten (1909), established her as a bright young talent, and it wasn’t long before she was one of the nation’s most popular mystery novelists. Among her dozens of novels are The Amazing Adventures of Letitia Carberry (1911), which began a six-book series, and The Bat (originally published in 1920 as a play), which was among the inspirations for Bob Kane’s Batman. Credited with inventing the phrase “The butler did it,” Rinehart is often called an American Agatha Christie, even though she began writing much earlier than Christie, and was much more popular during her heyday.
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Locked Doors - Mary Roberts Rinehart
LOCKED DOORS BY MARY ROBERTS RINEHART
Published by Seltzer Books
established in 1974 as B&R Samizdat Express, now offering over 14,000 books
feedback welcome: seltzer@seltzerbooks.com
Books by Mary Roberts Rinehart available from Seltzer Books:
Mysteries:
The Man in Lower Ten (1906)
The Circular Staircase (1908)
When A Man Marries (1910)
The Window at the White Cat (1910)
Where There's a Will (1912)
The Case of Jennie Brice (1913)
Street of Seven Stars (1914)
The After House (1914)
Locked Doors (1914)
K (1915)
Long Live the King! (1917)
The Amazing Interlude (1918)
Dangerous Days (1919)
Love Stories (1919)
Truce of God (1920)
Affinities and Other Stories (1920)
A Poor Wise Man (1920)
The Bat, with Avery Hopwood (1920)
The Confession (1921)
Sight Unseen (1921)
The Breaking Point (1922)
Non-Fiction:
Kings, Queens and Pawns: an American Woman at the Front (1915)
Through Glacier Park (1915)
Tenting To-Night : a chronicle of sport and adventure in Glacier park and the Cascade mountains (1918)
Isn't That Just Like a Man! (1920)
Young-Adult Novels:
Bab, a Sub-Deb (1916)
Tish (1916)
More Tish (1921)
Copyright 1914 by Mary Roberts Rinehart
You promised,
I reminded Mr. Patton, to play with cards on the table.
My dear young lady,
he replied, I have no cards! I suspect a game, that’s all.
Then—do you need me?
The detective bent forward, his arms on his desk, and looked me over carefully.
What sort of shape are you in? Tired?
No.
Nervous?
Not enough to hurt.
I want you to take another case, following a nurse who has gone to pieces,
he said, selecting his words carefully. I don’t want to tell you a lot—I want you to go in with a fresh mind. It promises to be an extraordinary case.
How long was the other nurse there?
Four days.
She went to pieces in four days!
Well, she’s pretty much unstrung. The worst is, she hasn’t any real reason. A family chooses to live in an unusual manner, because they like it, or perhaps they’re afraid of something. The girl was, that’s sure. I had never seen her until this morning, a big, healthy-looking young woman; but she came in looking back over her shoulder as if she expected a knife in her back. She said she was a nurse from St. Luke’s and that she’d been on a case for four days. She’d left that morning after about three hours’ sleep in that time, being locked in a room most of the time, and having little but crackers and milk for food. She thought it was a case for the police.
Who is ill in the house? Who was her patient?
There is no illness, I believe. The French governess had gone, and they wished the children competently cared for until they replaced her. That was the reason given her when she went. Afterward she—well, she was puzzled.
How are you going to get me there?
He gathered acquiescence from my question and smiled approval.
Good girl!
he said. Never mind how I’ll get you there. You are the most dependable woman I know.
The most curious, perhaps?
I retorted. Four days on the case, three hours’ sleep, locked in and yelling ‘Police’! Is it out of town?
No, in the heart of the city, on Beauregard Square. Can you get some St. Luke’s uniforms? They want another St. Luke’s nurse.
I said I could get the uniforms, and he wrote the address on a card.
Better arrive about five,
he said.
But—if they are not expecting me?
They will be expecting you,
he replied enigmatically.
The doctor, if he’s a St. Luke’s man——
There is no doctor.
It was six months since I had solved, or helped to solve, the mystery of the buckled bag for Mr. Patton. I had had other cases for him in the interval, cases where the police could not get close enough. As I said when I began this record of my crusade against crime and the criminal, a trained nurse gets under the very skin of the soul. She finds a mind surrendered, all the crooked little motives that have fired the guns of life revealed in their pitifulness.
Gradually I had come to see that Mr. Patton’s point of view was right; that if the criminal uses every means against society, why not society against the criminal? At first I had used this as a flag of truce to my nurse’s ethical training; now I flaunted it, a mental and moral banner. The criminal against society, and I against the criminal! And, more than that, against misery, healing pain by augmenting it sometimes, but working like a surgeon, for good.
I had had six cases in six months. Only in one had I failed to land my criminal, and that without any suspicion of my white uniform and rubber-soled shoes. Although I played a double game no patient of mine had suffered. I was a nurse first and a police agent second. If it was a question between turpentine compresses—stupes, professionally—and seeing what letters came in or went out of the house, the compress went on first, and cracking hot too. I am not boasting. That is my
