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Fourteen-year-old Louis Bowman lives in a boxing ring—a housing project circa 1968—and is fighting “just to get to the end of the round.” Sharing the ring is his mother, Jeanette Stamps, a ferociously stubborn woman battling for her own dreams to be realized; his stepfather, Ben Stamps, the would-be savior, who becomes the sparring partner to them both; and the enigmatic Ray Anthony Robinson, the neighborhood “hoodlum” in purple polyester pants, who sets young Louis’s heart spinning with the first stirrings of sexual longing.
Bil Wright deftly evokes an unrelenting world with quirky humor and a clear-eyed perspective in this “deeply felt coming-of-age novel” that “reads like the best of memoirs” (School Library Journal).
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Fourteen-year-old Louis Bowman lives in a boxing ring—a housing project circa 1968—and is fighting “just to get to the end of the round.” Sharing the ring is his mother, Jeanette Stamps, a ferociously stubborn woman battling for her own dreams to be realized; his stepfather, Ben Stamps, the would-be savior, who becomes the sparring partner to them both; and the enigmatic Ray Anthony Robinson, the neighborhood “hoodlum” in purple polyester pants, who sets young Louis’s heart spinning with the first stirrings of sexual longing.
Bil Wright deftly evokes an unrelenting world with quirky humor and a clear-eyed perspective in this “deeply felt coming-of-age novel” that “reads like the best of memoirs” (School Library Journal).
Bil Wright
Bil Wright is an award-winning novelist and playwright. His novels include Putting Makeup on the Fat Boy (Lambda Literary Award and American Library Association Stonewall Book Award), the highly acclaimed When the Black Girl Sings (Junior Library Guild selection), and the critically acclaimed Sunday You Learn How to Box. His plays include Bloodsummer Rituals, based on the life of poet Audre Lorde (Jerome Fellowship), and Leave Me a Message (San Diego Human Rights Festival premiere). He is the Librettist for This One Girl’s Story (GLAAD nominee) and the winner of a LAMI (La Mama Playwriting Award). An associate professor of English at CUNY, Bil Wright lives in New York City. Visit him at BilWright.com.
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Reviews
14 ratings1 review
- Rating: 5 out of 5 stars5/5
Apr 25, 2012
As the story opens Ben Stamp, troubled Louis Bowman’s stepfather has just died following a family row. It had seemed that Ben might have given Louis the means to overcome all his problems by teaching him how to box, but now that it’s just him and his mother and Louis retells his difficult life so far and on going events as they unfold.
Louis is different from other boys and suffers the consequences, being the target of bullying. He is also embarrassed that he responds to and enjoys the physical groping from a married man he encounters on several occasions while travelling the train to visit his grandfather. Not surprisingly he is having difficulties handling all his problems and so is sent for a course of regular psychiatric help.
I found this a lively and delicious story; Louis is a lovable character despite his often self imposed problems. While he establishes a warm relationship with his therapist, his real saviour comes in a most unlikely form, the flamboyant Ray Anthony Robinson, the local rogue, both feared and respected. It occurs shortly after Ben is given a new bike for Christmas and after his first real encounter with Ray when he grabbed and then rode off on the bike; much to Ben’s surprise he returned the bike safely. The next time Louis takes his bike out he is physically set upon by some local bullies, to his surprise rescue comes when Ray intervenes on his behalf. There begins a strange but most endearing relationship between the two boys that builds to a most heart-warming and triumphant climax.
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