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Vigilância No Trabalho. A Confiança Como Fundamento Da Desconfiança
Vigilância No Trabalho. A Confiança Como Fundamento Da Desconfiança
Vigilância No Trabalho. A Confiança Como Fundamento Da Desconfiança
Ebook22 pages16 minutes

Vigilância No Trabalho. A Confiança Como Fundamento Da Desconfiança

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Este texto veio para apimentar as historietas da administração. Veio com a voz de reportes que trabalham com economia, gestão, essas coisas. Resolvi contar a história de Manete, um sujeito que fica em uma posição contraria ao que pretende uma empresa no desenvolvimento de seu negócio.
A história dele vem dessa narrativa, desse acontecimento literário na forma de ensaio, de programa de rádio, de coisa falada por quem entende do assunto. Talvez ajude ao empresário entender a subjetividade do outro, aprender um pouco e de maneira diferente sobre a realidade da cultura interna a uma empresa.
Alguém vai dizer que se trata de ensaio acadêmico, outros talvez pense que parece aula, parece, mas tem outro sinal na ordem das acoes contrarias ao desenvolvimento humano na era da interdisciplinariedade.
Vigilância no trabalho, confiança como base para desconfiança devido à falta de perspectiva dos negócios. Uma incompetência em gerir talentos administrativos em potenciais.
Esse conto tem seu caminho, quem sabe possa ajudar que Manete consiga sair dessa, que a empresa comece a pensar de modo global, entender o meio onde se encontra e tomar a atitude, o ato empreendedor.
Veremos o que ocorre.

LanguagePortuguês
Release dateJun 23, 2020
ISBN9780463194348
Vigilância No Trabalho. A Confiança Como Fundamento Da Desconfiança
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Author

Pedro Moreira Nt

Who I amPedro Moreira NtI have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share.My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality.I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life.I wait to create something more dense and fragile so that a reader can discover more insight and make the story.I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible.I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying.My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release.From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents and children a fantastic universe of possibilities for a personal construction, making life an adventure.I create a pedagogical process to write and design tangled images where it is possible to seek the theme of a short story. "Lippi and Semma Friendship" talks about that, and I wrote that short story through it. They led me to social problems, injuries, differences, the orthodoxy of community rules, cultural values, the barriers around democracy and its meaning, and the gratitude for a true friendship."Letter to the Moon" is a short love story, but love yourself, and send a letter to the Moon through a pebble launched for.Books about freedom, encountering people, loss, and gains, and becoming someone.Book for radicality of right in that it does not see your bottom."Bakery," for example, talks about that.I finished a short story made of challenges and adventures: "Memories of the Air." - from you start reading until the end, the thing is in action, in movement, an eternal fugue or secrets, and does not reveal its net. The reader will discover.

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