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A Rata da Livraria
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A Rata da Livraria
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A Rata da Livraria
Ebook151 pages2 hours

A Rata da Livraria

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A Rata da Livraria, eu mesma.
É a personagem quem narra a história. Desde o início ao fim. E é a história de uma vida.
É uma livraria. Ela, a dona. Pegou a biblioteca do namorado depois da última discussão.
Depois de tantos nadas ela encontro o que desejava.
A trama carrega entre-textos que abordam os sentimentos à pele da personagem. O que é tragicômico tonta-se dramático no sentido da revelação humana, de valores e conquistas.
O livro nos leva a pensar em ultrapassar limites, em sair de situações repetitivas. A ganhar a loucura ou se desprover para recuperar ou refazer tornar real o drama da vida.
A personagem conta o fio que enlaça a narrativa, e faz do leitor o personagem criador da história. "Como se acha o discurso na esquina, alguém que fala e alguém se apropria".
"O que me faz de personagem é o que sou. Sou como você, sem nome. Sou quem me ocupo justamente, a escrever na praça. E escrevo, viajo, sonho e retorno ao tempo passado e calo-me entre espaços."
Ciente disso, os caminhos que percorre promove a pessoa que é, a que sempre foi ou poderia ter sido.
Em contar, como que encontrar a fala, transgride o universo comum para trazer o leitor para dentro de si, a lhe dizer mais que palavras, a lhe propor um passo a mais. A uma intimidade que conflui em que as ratas se manifestam, elas, apaixonadas e entregues à vida.
Pedro Moreira Nt

LanguagePortuguês
Release dateSep 29, 2015
ISBN9781311871497
Unavailable
A Rata da Livraria
Author

Pedro Moreira Nt

Who I am Pedro Moreira Nt I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share. My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality. I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life. I wait to create something more dense and fragile so that a reader can discover more insight and make the story. I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible. I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying. My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release. From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents an...

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